It is true, to a large extent, that everybody has a book in him. He just needs the polish of language to bring it out. But some people can stretch this logic a little too much. This is exactly what got to one good friend of mine. He left his business that was giving him a good return, and nagged his live-in partner until she was ready to ditch him. The last time we met, he had moved in to his car with his maid. He was living a gypsy life, penniless. He came down to town during the day and by night, drove up to Buddhagang. It had been his routine for the best part of a month. And he always had his pen and an open book.
I knew exactly when he would call me; when he had run out of money, or of fuel. The saga continued for a few depressing weeks, even for me. I am not sure if he realized that his action was causing more harm than he had bargined for, not only to himself but also to others who cared for him. I would try in vain to persuade him to do something, perhaps even return to his father who was quite willing to take him back. But no, he wanted substance for his book, or at least a watered down screen play version of it, on which he had already started working.
Unfortunately, it is not just his tale. I know many people who seriously think they have the stuff of a best seller in them and who are quite willing to work on a suitable vocabulary for it. A few idle by, with drinks and more drinks, an occasional girl and the regular trips behind bar. All, of course, to enrich themselves with experiences worth telling the world. The tragic charm they hope to wield around the world, even if it is just deranged gibberish. After all, what is there to write about in a life of a good boy who grows up to become just another ordinary man? May be one can still write a book on the great feelings he has or just his contorted psychology, but then, every other man knows all about it. It would not make much of a book.
Ishould think it is nothing new though. Ever since men have acquired the command of words, they have been dying to tell the world their side of the story. Samuel Johnson, the author of the first English dictionary denied all the prospects of a good life because he knew that he had to tell the world a compelling story, of a morbid life, to be noticed. He did succeed, albeit with tragic consequences for him and his dear ones. But many others have not achieved even that.
As I take my first tottering steps toward a writing future, I know it would be so easy to fall in this trap of trying to show off more than what is mine. It is always tempting to sensationalize, embellish facts with fiction, truth with lies, all to get noticed, to be in the eye every time. I know I will do well to stick with the choice I will make any time now, when I can still claim sanity; to be a good man, more than a great, false writer; a psychopathic writer!